Tuesday, July 13, 2010

Mike Judge to Bring Back Beavis and Butt-Head

Mike Judge to Bring Back Beavis and Butt-Head

Creator Mike Judge has reportedly outlined 30 new episodes for a possible primetime return to MTV.

It has been over 12-years since Beavis and Butt-Head were airing new episodes on MTV, but most people can still instantly recognize the unique “huh huh, huh huh” laugh of Butt-Head, or the “fire, fire!” cries from Beavis. The show produced 200 episodes over seven seasons, a feature movie, and now it seems that the trash talking duo are about to make their TV comeback on the network that made them- and creator Mike Judge- famous.

Since the end of the series, Judge has been a busy guy. He wrote and directed several movies including the cult classics Office Space and Idiocracy, he created King of the Hill and has leant his voice to several animated shows. The guy has been busy. Now, according to Reviewniverse, Judge is hard at work to bring back Beavis and Butt-Head for a slot on MTV’s new primetime lineup.

Recently MTV has begun to limit their once rampant slew of reality shows like the recently cancelled The Hills, in favor of scripted programming like The Hard Times of RJ Berger.

According to the report, Judge will keep the original show’s low budget look, and the format will remain true to the original episodes, where Beavis and Butt-Head comment on music videos. The show will feature current music videos, but the format will be the same.

No word yet on when the show might air. Below is a clip of Beavis and Butt-Head discussing Judge’s last movie, 2009’s Extract. Enjoy!

Posted via email from All My Thoughts Divided

Wednesday, June 30, 2010

Marco Benevento: Music Is Still Secret on JamBase

By: Ron Hart

Marco by Michael Benevento
Few musicians have defined the state of piano jazz in the 21st century quite like Marco Benevento. Whether alongside longtime partner drummer Joe Russo as the Benevento/Russo Duo, as the leader of his own trio with bassist Reed Mathis and drummer Andrew Barr or playing in such groups as Garage A Trois or, most recently, as the new member of The Slip spinoff Surprise Me Mr. Davis, this 32-year-old native of North Jersey enjoys an ample playing field by which to manipulate is uncanny arsenal of analog and digital keyboards.

Between The Needles and Nightfall is Benevento's third solo album in three years, and stands tall as the finest work he has created under his own name to date. Recorded at Trout Recording in the artist's adopted home of Brooklyn, NY, Between The Needles was helmed by an ad-hoc crew of prominent studio wizards - Bryce Goggin (Pavement, Swans, Ramones, Luna), Mell Dettmer (Sunn O))), Eyvind Kang), Jesse Lauter (Low Anthem, Elvis Perkins) and Vid Cousins (Amon Tobin, Kid Koala) - each of whom helped Benevento to successfully envision his fusion of electro-enhanced major-chord jazz for baby grand piano treated by a cornucopia of guitar pick-ups, effects pedals and found toys.

Currently Benevento is in the midst of a whirlwind summer tour that includes dates with Surprise Me Mr. Davis in the Pacific Northwest, a pair of NY area gigs with Garage A Trois (as well as an appearance at this year's Outside Lands Festival), and two exciting shows for the Celebrate Brooklyn! Concert Series in Prospect Park, including playing a key role in the performance of Miles Davis' 1969 voodoo classic Bitches Brew alongside such city jazz greats as James Blood Ulmer, DJ Logic, Lonnie Plaxico, Cindy Blackman and the Mike Stern Band in late June and an August date that finds his trio performing a live score to Roger Corman's 1960 horror classic The House of Usher. However, Mr. B was kind enough to take a few minutes out of his busy schedule to talk with JamBase about the making of Between The Needles and Nightfall, joining Surprise Me, covering Amy Winehouse, and skateboarding to Men At Work.

JamBase: How does it feel to be one-fifth of a traditional rock band like Surprise Me Mr. Davis as opposed to being the leader of your own group like your trio?

Marco Benevento: It's great. I love playing the role of being just the keyboardist in a band, trying to come up with just cool, simple parts for a song. Not having to be the leader definitely is a pretty nice relief. JamBase: How democratic is SMMD in terms of creating the music?

Marco Benevento: Everyone pitches in and has their voices heard, but primarily Nathan [Moore] and Brad [Barr] do most of the writing.

How long have you known the guys in The Slip?

Man, I've known those guys and jammed with them since '95.

Do you have a favorite memory of jamming with the Barrs prior to joining Surprise Me Mr. Davis?

One time we were out on tour and we got stuck in a snowstorm in Flagstaff, Arizona. We got snowed in at our friend Brooke's place and we just played music in this A-frame house until the sun came up. That was in February or March of 2000. It was really fun.

Between The Needles and Nightfall is a very big-sounding record, with a lot of major chords and huge pop melodies, particularly for the baby grand piano. What inspired you to go in this direction?

Benevento by Mike DiDonna
I think just years of figuring it out; years of playing and touring and finally opening up the bottle that's been shaken up. I've always wanted to play with a bass player and a drummer, and I always wanted to sit behind the piano and try to do more piano stuff. Over the last three years and over the last three records, I've been getting a lot better at ProTools, working in the studio in my house, and composing, of course. It all cumulated to this point of a healthy blend of rock and jazz and big beats and quieter songs. Even Reed Mathis, the bass player, said that this was his favorite trio record that we've made.

What albums were you listening to at the time of recording Between The Needles and Nightfall?

I was listening to this record called Flow Motion by the group Can. That record I was really digging a lot. That record has a lot of songs that are built from loops. I was also listening to a lot of relentless, groove-oriented songs where it starts and you immediately like it and it has a nice tempo and you're bouncing with it and barely noticing what's going by. That was what I felt I did on a couple of the tracks on this new album. I just got into this [mindset of] "let the music play" and don't worry about a studio cut or worry about making it sound tight, just play it. There were a lot of free-for-alls on this record. There are a lot of newer bands like Grizzly Bear that I've been digging lately. I'm still very much tried and true with The Beatles as well. You always notice something new with The Beatles every year it seems. I'm a big fan of The Black Keys; I like Dan Auerbach, the guitarist, a lot. And the guys and me, we've been listening to a lot of Men At Work lately as well. I grew up in that timeframe. I was born in 1977, so I did a lot of skateboarding and listening to Men At Work on my Walkman while I skated. And Herbie Hancock as well; "Rockit" [with] that Linn drum sound always did it for me. I've also been listening to more electronic bands lately as well, like this band called Chromeo. They're pretty cool. I like LCD Soundsystem a bit. Squarepusher blows me away, but that's sort of a given I guess. He's a big name around everybody. But I could still afford to be turned onto more electronic music, though.

Following up on your 2009 LP of covers, Me Not Me, you chose to take on only one interpretation of someone else's work for Between The Needles and Nightfall. What made you go with Amy Winehouse's "You Know I'm No Good"?

I just love the tune, man; I love the soul of it. I'm a big fan of a lot of the Motown stuff and Ray Charles and Wilson Pickett and Little Richard, and I feel like the song stems from that trajectory. Amy's got a great voice. I really like her voice a lot, and it lends itself to the piano really fantastically. It's really easy to play; it almost sounds like a Duke Ellington/Medeski, Martin and Wood kind of hybrid. Playing it live is a real treat, too. People really get into it.

Of all the covers you have done over the years, which one was the most difficult one to get right?

Well, you know, they all make me work to get it right - from the simplest ones to the hardest ones. But I'd say one of the more involved covers that we play is "Seems So Long Ago, Nancy" by Leonard Cohen. There's a lot of changes and there's a lot of chords in it. And we play it in more of a jazz type feel where I improvise over the changes and stuff. That's the one that is still hard to this day even though we've been playing it for like ten years.

How did you come up with the idea of rigging your baby grand with guitar pickups?

Benevento by Rob Chapman
I just had one in my house from a tour, and they sorta sucked for guitars so we never used them onstage. I had one lying around and was planning for a piano trio tour and thinking, "Oh good, I could just fly and play pianos and that's it." And I thought about how all these demos that I had been making had reverb and effects on the piano and was wondering how I was going to do that for the stage. So, I stuck that guitar pickup on the inside of the piano and ran it into the amp that I have and it was that simple. Then I was like, "Okay, I can put distortion pedals and all these things in between before it gets to the amp." For the last three years I've been trying to dial that in. It's a hard thing to do. It's an acoustic instrument and it's pretty wild with loud drums right next to it. But at the same time, it's a really attractive thing. What's really nice is running the piano through tremolo, especially on this amp that I have. It's this really nice old amp that has a tremolo on it that's like buttah.

You are going to be scoring a screening of House of Usher at the Prospect Park bandshell in Brooklyn later this summer. How are you going to go about it?

I'm going to go wherever the film takes me. I'm also going to see if there are any original songs that I've already written that could work in there and maybe even use Between The Needles and Nightfall as a soundtrack to the movie if I could. It would be pretty fun to try to dial some of that stuff into it. I've also been writing new music for it and setting up sound effects and whatnot.

You just performed Bitches Brew with that phenomenal supergroup in Prospect Park recently. Did you play the role of Joe Zawinul or Chick Corea?

I actually tried to do both. There was only one keyboardist so I had to make it sound like two or three. Nevertheless, to be amongst those incredible musicians was a true honor.

Marco Benevento Tour Dates :: Marco Benevento News :: Marco Benevento Concert Reviews

JamBase | Skating The Edge
Go See Live Music!

http://www.marcobenevento.com/

[Published on: 6/29/10]

Posted via email from All My Thoughts Divided

Sunday, June 27, 2010

Friday, May 7, 2010

Nashville Farmers' Market Returns This Saturday | Bites | Nashville Scene

Farmers' Markets Nashville Farmers' Market Returns This Saturday

Posted by Sean Maloney on Fri, May 7, 2010 at 1:03 PM

Farmers__Market_Logo.jpg
Hey Bites-sters! I'm Sean, I'm new-ish here. You might recognize me as that hooligan from the music section or that dude who had that beard that one time. When I'm not busy over-thinking obscure audio trends or earning the wife's ire through absurd follicle deployment, I'm usually cooking. And if I'm cooking, I'm using ingredients from the Nashville Farmers' Market. Beyond the obvious virtues of buying local food from local folks, normal grocery stores tend to induce panic attacks in me — all that cardboard and plastic between me and my grub gets overwhelming. I kinda freak out, and it's not fun. Seriously, I can't stand supermarkets. Don't even get me started on Whole Foods.

So you can imagine the fear that gripped me when those images of the Farmers' Market submerged under Lake Splashville started showing up on the teevee on this weekend. I was already feeling guilty that I hadn't shown up on Saturday (we started pre-gaming the Derby really, really early), but the prospect of missing out on peak-season veggies and the Schrock family's next round of free range chickens had me in tears. Also, I'm out of red beans and I only have one piece of ham hock left. It was the disastrous cherry on top of the bullshit-sundae that is watching the city you love up to its eyeballs in trouble.

But the Farmers' Market is back this Saturday!

Hallelujah! I was over there yesterday and there was a phalanx of volunteers cleaning up the outside sheds, the parking lot and the surrounding grounds, and it looks like they'll have everything ready to go in time for Saturday. (My trash collecting score: three empty half-pint bottles of gin, two empty pint bottles of vodka, a pair of ear plugs, a capped hypodermic needle and an unopened, mud-caked bag of beef jerky. Don't tell me this town doesn't know how to party.) As far as vendors go, it looks like most folks are going to be there. I've personally received confirmation from Dozen and Walnut Hills will be there, which means the two main food groups — cookies and brisket — are covered. Phew, I was worried for a second.

When I left yesterday, the market house was still a mess and awaiting a proper, professional cleaning, but hopefully things will be back on track soon. It better, because I'm only a punch or two away from filling up my Frequent 'Baller card with Fleur De Lis and I could really use a sno-ball. In fact, I think the whole city could use a sno-ball. We deserve it — it's been a tough week. Anyway, the market will be open on Saturday: Tell all your friends, buy a lot of food and be prepared to wrestle if you get to the hanger steaks before I do. Seriously, I WILL wrestle for hanger steaks.

Tags: , ,

Posted via web from All My Thoughts Divided

Thursday, March 18, 2010

Universal Announces Plan to Lower CD Prices to $10 or Less

Universal Announces Plan to Lower CD Prices to $10 or Less

3/18/10, 12:06 pm EST


Sales of physical albums have steadily decreased over the past half decade, and now one major label is hoping to stem the decline by adopting a daring new strategy: lowering the price of CDs. Universal Music Group has revealed a plan to reduce the wholesale cost of their albums in order to decrease the retail price of single-disc albums to $10 or less, Billboard.biz reports. Under the new plan, sales of CDs will only boast a 25 percent profit margin, but UMG hopes the increase of CD sales volume will help reinvigorate their revenues.

While some may deem UMG’s strategy as “too little, too late,” the move does put the price of physical discs in line with what digital music services like iTunes charge for full album downloads, making physical discs a more attractive option. “We think it will really bring new life into the physical format,” Universal Music Group Distribution president/CEO Jim Urie said. UMG revealed that they plan on selling more deluxe editions of albums, however those discs will carry a higher price tag.

While retailers are applauding the move, Billboard.biz writes that the other major labels aren’t too pleased with UMG’s price shift. “Why does Universal feel the need to get below $10?,” a distributor at a competing major wondered. However, there is precedent for UMG believing their new strategy will work: When Trans World Entertainment, who runs music stores like f.y.e. and Wherehouse Music, tested out a $9.99 price plan, CD sales jumped 100 percent.

Related Stories:

Despite Some Big Rock Records, Music Biz Still Struggling
October CD Sales Down As Economy Struggles With Recession
Music Sales Slump Could Spell the End of Boxed Sets

Daniel Kreps

Posted via web from All My Thoughts Divided

Tuesday, March 9, 2010

Phish 3D

PHISH 3D IN THEATRES APRIL 2010

Phish 3D, filmed at Festival 8 - the band's three-day festival which took place on October 30th, 31st and November 1st at the Empire Polo Club in Indio, California - will be in theatres in 3D this April. The band performed 8 sets over the course of the weekend, including a special Acoustic Set on Sunday afternoon. Keeping the tradition of past Halloween shows, they donned a musical costume on Halloween night, covering The Rolling Stones' album Exile On Main Street.

Complete ticketing and theatre information will be announced shortly. You can sign up to receive email updates at http://www.phish3dmovie.com .

Posted via web from All My Thoughts Divided

Wednesday, February 17, 2010

UMBowl 2010

We are psyched to announce the inaugural UMBowl!

UMBowl 2010 will be a unique interactive Umphrey's McGee experience. This 4 hour extravaganza will be unlike any other Umphrey's event to date – the UMBowl will be a show for the ages!

The evening will be broken up into four quarters of music, each with a different interactive theme. The 1st quarter will kick off with an acoustic set chosen entirely by attendees. Well in advance of the show, each ticket buyer will receive a ballot to vote for which songs UM will give the acoustic treatment – and that's just the beginning. Further juicy details for the remaining quarters will be revealed shortly. Attendees will have unprecedented opportunities to showcase their musical coaching skills and truly get in the game. In addition to ticketing and travel packages, UMBowl will feature tailgating options, a halftime show, limited edition merch, and loads of other sweetness to make this a night to remember. For now, save the date:

Stadium
Lincoln Hall
2424 North Lincoln Avenue, Chicago, Illinois

Gameday
Saturday April 24, 2010
Doors 7:00 pm, Show 8:00 pm

Posted via web from All My Thoughts Divided

Sunday, February 14, 2010

Live Nation Entertainment reportedly inks ticketing deal with Wal-Mart | TicketNews

Live Nation Entertainment reportedly inks ticketing deal with Wal-Mart

By Alfred Branch Jr.

Looking to expand its reach, newly minted Live Nation Entertainment has reportedly signed a partnership deal with discount department store giant Wal-Mart, that will allow Live Nation to sell tickets from select outlets.

Details of the deal were not readily available, but according to Billboard, the partnership will launch sometime in the next few months at about 500 Wal-Mart stores, including outlets in Los Angeles and Chicago. The focus will reportedly be on concert and sports tickets in and around the cities where stores are located.

Exactly how the tickets will be sold is unknown, whether by a sales clerk or a kiosk, but the Live Nation location will be in the store's entertainment section, according to Billboard.

The partnership comes just three weeks after Live Nation and Ticketmaster received approval for their merger from the U.S. Department of Justice, which led to the creation of Live Nation Entertainment.

As a condition of the approval, the company has to, in effect, prop up two competitors, Comcast-Spectacor and AEG, through the sale of assets to the pair.

The Wal-Mart deal was announced by Live Nation Executive Chairman Irving Azoff during a panel discussion earlier today at a technology summit at the NBA All-Star weekend in Dallas.

A spokesperson for Live Nation did not return a message seeking comment.

In late 2008, as Live Nation was gearing up to create its own ticketing operation, the company signed a multi-year deal with the DVD/video store chain Blockbuster to sell tickets from about 500 locations throughout the U.S.

However, soon after signing the deal, Blockbuster started having financial troubles, and the Live Nation deal essentially languished. At the time, Live Nation was looking to establish retail outlets around the country to complement its popular Web site, LiveNation.com.

Months later, the company announced its intention to merge with Ticketmaster.

Posted via web from All My Thoughts Divided

Monday, February 8, 2010

Dave and Tim

Stay Or Leave by Dave Matthews & Tim Reynolds  
Download now or listen on posterous
Dave & Tim - Stay Or Leave.mp3 (5908 KB)

Posted via email from All My Thoughts Divided

Monday, January 25, 2010

Ticketmaster / Live Nation merger: DOJ officially approves the deal with conditions

Ticketmaster / Live Nation merger: DOJ officially approves the deal with conditions

By Alfred Branch Jr.

After a year-long investigation, the U.S. Department of Justice (DOJ) Monday officially approved the merger of Ticketmaster and Live Nation, but the DOJ imposed conditions on the deal that it believes will foster competition in the concert and ticketing industries.

Under terms of the deal, Ticketmaster must license its ticketing software to Anschutz Entertainment Group (AEG) to help it become a viable competitor instead of a customer of Ticketmaster. In addition, Ticketmaster must sell its Paciolan primary ticketing division to Comcast-Spectacor, which currently controls much of Philadelphia's sports, venue and ticketing ventures.

Ticketmaster and Live Nation will also be subject to a 10-year consent decree that will prohibit them from retaliating against venues, teams, artists or other entities that choose to end their relationships with the combined company. DOJ teamed up with attorney generals in 17 states, including California, Massachusetts, Nevada, Ohio, Illinois and Florida to file a civil lawsuit to block the merger, but at the same time filed the consent decree that if upheld would satisfy their initial antitrust concerns.

Assistant Attorney General Christine Varney, who leads the DOJ's antitrust division, said during a press conference Monday announcing the agreement that the DOJ will be "vigilant" in its role as watchdog over the combined companies.

"The Department of Justice’s proposed remedy promotes robust competition for primary ticketing services and preserves incentives for competitors to innovate and discount, which will benefit consumers," Varney said. "The proposed settlement allows for strong competitors to Ticketmaster, allowing concert venues to have more and better choices for their ticketing needs, and provides for anti-retaliation provisions, which will keep the merged company in check."

The consent decree does not address the secondary ticket market at all, and does not offer any insight into what Ticketmaster should or will do with its TicketExchange division or its TicketsNow subsidiary, which has been the focus of much criticism over the past year. Ticketmaster was forced to settle a complaint by New Jersey Attorney General Anne Milgram over the way it allegedly redirected customers from Ticketmaster's Web site to TicketsNow's higher-priced secondary market tickets when tickets were sold out on the primary market.

"The relief here is both structural and behavioral. The settlement requires Ticketmaster to divest more ticketing than it will gain through its acquisition of Live Nation," Varney said. "Simultaneously, the licensing solves a second competitive issue by giving AEG, an integrated competitor, the ability and incentive to compete with the combination of Ticketmaster and Live Nation for concert promotion, venue management, and ticketing."

In prepared statements released today, Live Nation President and CEO Michael Rapino and Ticketmaster Entertainment CEO Irving Azoff expressed their gratitude in the deal being approved. Rapino will lead the new company, Live Nation Entertainment, as its president and CEO, while Azoff will be Executive Chairman of Live Nation Entertainment and CEO of Front Line Management, the artist management company he sold to Ticketmaster in 2008.

"This is a good and exciting day for the music business, and we are close to finalizing the creation of a new company that will seek to transform the way artists distribute their content and fans can access that content," Rapino said. "The Department of Justice was thorough and aggressive in their analysis and their remedies, and we are confident that with this resolution the playing field is competitive and broader as a result of this transaction. We believe that this merger will now create a more diversified company with a great selling platform for artists and a stronger financial profile that will drive improved shareholder value over the long term.”

"We appreciate the Department of Justice’s effort. Their resolution is a great win for fans," Azoff said. "The entertainment industry needs innovation and we are ready to deliver. I’m truly excited that as this new company goes forward, we will be able to create more choices for family entertainment, sports, artists, teams and other rights holders."

U.S. Rep. Bill Pascrell, Jr., a vocal critic of the deal who gathered signatures from 50 members of Congress on a letter to Varney opposing the merger, said he is troubled by its approval.

“I am currently reviewing the Justice Department’s decision, but clearly I am disappointed. One has to wonder what it was that U.S. antitrust authorities saw as a greater priority than American consumers and the free market,” Pascrell said. The Congressman was one of several people to testify against the merger last year during government hearings on the matter, and he introduced legislation to regulate the ticketing industry.

“The American people need to be told how DOJ decided that this deal, even with the concessions made, passes muster with our nation’s anti-trust laws. Moving forward, as these two companies with a history of anti-consumer behavior are poised to join together into an entertainment behemoth, I will be keeping a close eye on how the Department of Justice and Federal Trade Commission enforce any conditions they impose on this new entity to ensure consumers are protected. I will also be looking toward the passage of my BOSS ACT as a vehicle to regulate the ticket marketplace, which is about the get a whole lot more complicated, as it gets more anti-competitive,” Pascrell said.

Don Vaccaro, CEO and founder of TicketNews's parent company TicketNetwork, said, "The remedies in the merger agreement don't go far enough to protect consumers rights and reduce fees that consumers will pay in service charges to primary ticketers."

Legendary concert promoter and club owner Seth Hurwitz said he hopes DOJ will follow through on its planned role of enforcer of the agreement. Hurwitz was a vocal critic of the deal, and in an unrelated matter sued Live Nation on alleged antitrust grounds last year.

"Though I’ve not had the opportunity to review it yet fully, it seems the Department of Justice has dictated in the consent decree that Live Nation and Ticketmaster can’t engage in anticompetitive behavior on any level going forward -- and if that’s true, it’ll be a better world for everyone," Hurwitz said. "The department seems to understand the issues, our concerns and the fears the entertainment industry holds about Live Nation’s and Ticketmaster’s predatory and uncompetitive behavior. This puts Live Nation Entertainment under a microscope, a place we wished Ticketmaster and Live Entertainment were under a long time ago. It all comes to down to whether the DOJ will indeed be the watchdog they claim they'll be."

Timothy Leiweke, president and CEO of AEG, said he believes consumers will ultimately benefit from the provisions under the DOJ's approval.

"Together with other provisions of the Department of Justice’s proposed final judgment, including required divestitures and significant behavioral remedies, we are confident that the arrangements we have reached with the parties will serve to increase competition and further the interests of consumers and other participants in the live entertainment industry, not only in the United States, but in a number of key international markets (including Canada and the United Kingdom, among others)," Leiweke said.

Posted via web from All My Thoughts Divided

Saturday, January 23, 2010

Radiohead's Ed O'Brien 'Piracy isn't killing music' | News | NME.COM

Radiohead's Ed O'Brien 'Piracy isn't killing music'

Guitarist speaks out about the current state of the music industry

Radiohead's Ed O'Brien has hit out at claims that piracy is killing the music industry.

Expressing his thoughts on the situation, the guitarist explained that whilst pirates might not purchase music, they are still putting money into the industry.

"I have a problem when people in the industry say 'it's killing the industry, it's the thing that's ripping us apart'," O'Brien said in an interview on Midem. "I don't actually believe it is... [Pirates] might not buy an album, but they're spending their money buying concert tickets, a t-shirt, whatever."

In the interview, O'Brien also added what solutions the industry could be making to remedy the problem.

"It's an analogue business model in a digital era," he explained. "The business model has to change. You've got to license out more music - have more Spotifys, more websites selling more music. You've got to make it slightly cheaper to get music in order to compete with the peer-to-peers."

He added: "I find it staggering that the industry seems to be really dragging its heels on this - this is stuff that you could do in one week. Move quicker!"

Meanwhile, Radiohead have announced that they will play a one-off gig for Oxfam's Haiti earthquake emergency response appeal this weekend (January 24).

Posted via web from All My Thoughts Divided

Thursday, January 21, 2010

Cindy McCain NOH8 PHOTO: McCain Joins Project Protesting Prop 8

Cindy McCain NOH8 PHOTO: McCain Joins Project Protesting Prop 8

On Wednesday, the NOH8 campaign protesting California's Proposition 8 announced a new high-profile Republican supporter: John McCain's wife, Cindy McCain. NOH8 is a photo project in which subjects are photographed wearing white, against a white background, with their mouths taped shut and "NOH8" painted on their faces.

McCain's daughter Meghan McCain -- a vocal proponent of marriage equality -- posed for NOH8 last summer. (Her Daily Beast piece explaining why she posed can be found here.)

The NOH8 website posted the following note, along with McCain's photo, expressing the campaign's surprise and appreciation that she decided to join the cause.

Redefining Republican:

In the year since we've started the NOH8 Campaign, we've been surprised at some of the different individuals who have approached us showing their support. Few, though, have surprised us more than Cindy McCain--the wife of Senator John McCain and mother to vocal marriage equality advocate Meghan McCain. The McCains are one of the most well-known Republican families in recent history, and for Mrs. McCain to have reached out to us to offer her support truly means a lot. Although we had worked with Meghan McCain before and we were aware of her own position, we'd never really thought the cause might be something her mother could get behind.


Aligning yourself with the platform of gay marriage as a Republican still tends to be very stigmatic, but Cindy McCain wanted to participate in the campaign to show people that party doesn't matter - marriage equality isn't a Republican issue any more than it is a Democratic issue. It's about human rights, and everybody being treated equally in the eyes of the law that runs and protects this country.

Both McCains' NOH8 photos are below. (h/t advocate.com)

Get HuffPost Politics On Facebook and Twitter

Know something we don't? E-mail us at huffpolitics@huffingtonpost.com

Posted via web from All My Thoughts Divided

Wednesday, January 20, 2010

Umphrey's McGee in Rock Band - 1348 & Miss Tinkle's Overture

Facebook Scam Applications Strike Again

You've got to wonder who, if anyone, is approving applications for distribution on Facebook. A far cry from Apple's "deny first, ask later" policy, Facebook seems to have allowed yet another spam application through.

The application is called Photo Comments, and it appears to be a reincarnation of Phetas, an application that made its rounds a few weeks back. Phetas has since been removed, and all notifications generated by the application deleted. Here's how Photo Comments works, and why Facebook needs to start weighing in:

  1. Photo Comments goes viral by notifying you that one of your friends has "commented on a photo of you". The image in the notification looks exactly like Facebook's built-in photo application.
  2. You click the notification and are directed to add the application Photo Comments. Don't, because if you do...
  3. Facebook notifies your friends that you've commented on a photo of them, and the virus/scam spreads further.

Review of Photo Comments average one star, with users saying:

  • "this thing attacked me, linked to a bunch of adds and is purposefully trying to look like normal picture comments."
  • "This appears to be a bogus application - possibly virus?"

Facebook is losing a lot of ground. In the past month they have implemented new privacy policies that are as confusing as they are incomplete, and now they have approved (passively or actively) at least 2 spam applications that look and feel just like one of their native apps. Where are they going to go from here?

Posted via web from All My Thoughts Divided

Monday, January 18, 2010

Monday, January 11, 2010

Don't lose your phone again with ZOMM

4243362215_d370e21229_o

There is no worse feeling than losing your mobile phone. As compact as some mobile phones are these days it is very easy to leave them at a restaurant or worse yet on a plane. Luckily, we can lean on technology to help keep our mobile phones close to us using a wireless leash.

ZOMM is the first Bluetooth wireless leash for mobile phones and sounds an alarm if you walk away from your handset. That in itself makes it a great gadget to have, but that is not all it does. The ZOMM also vibrates, flashes lights, and provides a sound for incoming calls. Calls can even be answered using the device since it also functions as a speakerphone. You no longer need to dig into a purse or a gym bag to answer a call.

Another trick ZOMM has is that it is a personal security device which can sound a panic alarm. Since it is connected to your mobile phone you will also be able to speak with emergency personnel through its speakerphone making it really handle if you are unable to get to your mobile phone in an emergency.

The ZOMM is no bigger than a typical car remote and is expected to be unveiled at the Consumer Electronics Show (CES) today. It will be available for retail purchase in the second quarter of this year.

Read more at the ZOMM press release

Brian’s Opinion

It is the simple gadgets I love the most. The ZOMM addresses a basic, yet widespread need. That need being the tendency for people to leave their mobile phones behind. I can only imagine the number of mobile phones which are left in New York taxi cabs alone.

The fact that the device is a speakerphone is just icing on the cake. I’ve seen women look like they were digging a hole to China looking for their mobile phone in order to answer it. Now they may have a little more luck if they have the ZOMM on their keychain or clipped to the side of their purse.

Adding a little more character to ZOMM is the story of its creation. The device began with an idea from Laurie Penix, a mother of three, who kept hearing kids and friends complain about losing their mobile phones. In partnership with her husband Henry the two created ZOMM to address the problem.

Pretty sure I need one of these since I am constantly loosing my cell phone...

Posted via web from All My Thoughts Divided

Sunday, January 10, 2010

Friday, January 8, 2010

Homeless Man covers Radiohead

"This tear-jerking video comes courtesy of the Opie and Anthony Show on SiriusXM radio. The footage was shot after the show's producers enlisted a homeless man, Daniel Mustard, to voice over a promo then found out he could sing. Here Mustard does an acoustic version of Radiohead's Creep with a slightly different take on the vocal phrasing and years and years of pathos in the delivery."

Via Pedestrian

Posted via web from All My Thoughts Divided

Wednesday, January 6, 2010

James Cameron's Avatar is Disney's Pocahontas

James-Camerons-Pocahontas-Avatar is Disneys Pocahontas

Like your favorite stripper, Avatar looks fantastic, but the story feels cliché (you’re a single mom, you dropped out of high school, your neighbor molested you when you were seven, blah blah blah this is me playing the world’s smallest violin in your underpants).  We’ve thrown around lots of comparisons, from Dances With Wolves to Ferngully, but none have seemed as damning as this rewrite of Disney’s Pocahontas from a guy on Reddit calling himself Matt Bateman.  I haven’t seen Pocahontas nearly recently enough to confirm whether all his plot points are accurate, but I assume they are because it’s less work that way.  Maybe I’ll rent it and watch it with my girlfriend.  She likes Disney movies almost as much as she likes drinking from a sippy cup.

[thanks to Trey G for the tip]

Posted via web from All My Thoughts Divided